Reference — published standards

The grading scale, category by category.

Each category is graded on the scale its own trade uses — Sheldon 1–70 for coins, 1–70 with paper quality for currency, 1–10 in half points for cards, authenticity and originality class for everything else. Below is every band we assign, what separates it from the one above, and the notations that qualify it on a certificate.

Revision 2026.2 · effective 1 November 2026

Reading a numeric grade

Higher numbers describe survival, not beauty.

A grade records how much of an object's original state remains. Two coins at the same number can look very different — toning, colour and eye appeal change what a collector pays, but they never move the number on their own, and they never excuse a defect.

70–60

Uncirculated

No trace of circulation wear. On cards, the equivalent band is 10 through 8.

58–50

About uncirculated

A trace to light wear on the highest points. On cards, 7.5 through 6.5.

45–30

Extremely fine to very fine

Light to moderate wear with the full design still legible. On cards, 6 through 4.

25–12

Very fine to fine

Heavy even wear, outlines distinct. On cards, 3.5 through 2.

10–1

Very good to poor

Heavy to severe wear; identification may rely on a single element. On cards, 1.5 and 1.

01 — Coins

Sheldon 1–70

P-1 through MS-70

Coins are graded on the Sheldon 1–70 scale, the century-old numeric standard used across the numismatic trade. Grades from 1 to 58 describe circulated wear; 60 through 70 denote uncirculated coins, where the distinguishing factors become strike, luster, surface preservation and eye appeal rather than wear.

What the grade weighs

  • Surface preservation

    30%

    Contact marks, hairlines, rim nicks and abrasions under 5× magnification.

  • Strike

    25%

    Crispness of design elements, lettering and denticles at the central high points.

  • Luster

    20%

    Cartwheel brilliance and flow lines; whether original or impaired by handling.

  • Eye appeal

    15%

    Toning, contrast and overall presentation — never used to excuse technical defects.

  • Rims and edges

    10%

    Reeding integrity, rim dings and any evidence of mounting or jewellery use.

Grade
What it means
MS-70

Perfect uncirculated

MS-70

A full strike with unimpaired luster and no marks visible under 5× magnification.
MS-69

Near perfect

MS-69

One or two microscopic flaws only visible under magnification.
MS-68

Superb gem

MS-68

A few minor contact marks, none distracting, with full original luster.
MS-67

Superb gem

MS-67

Light scattered marks on the high points; luster intact and attractive.
MS-66

Premium gem

MS-66

Moderate contact marks away from the focal areas; strong eye appeal.
MS-65

Gem uncirculated

MS-65

Noticeable but non-distracting marks; no loss of mint luster.
MS-64

Very choice

MS-64

Several visible marks and light hairlines; fields still reflective.
MS-63

Choice uncirculated

MS-63

Scattered contact marks and surface abrasions; luster may be slightly impaired.
MS-62

Uncirculated

MS-62

No wear, but numerous marks and noticeable surface disturbance.
MS-61

Uncirculated

MS-61

Heavy bag marks or hairlines; still technically unworn.
MS-60

Uncirculated

MS-60

No evidence of wear; dull or heavily marked surfaces with impaired luster.
AU-58

About uncirculated

AU-58

Only a trace of friction on the highest points; nearly all luster present.
AU-55

About uncirculated

AU-55

Slight wear on high points with most original luster remaining.
AU-50

About uncirculated

AU-50

Light wear across the high points; roughly half the luster remains.
XF-45

Extremely fine

XF-45

Small flat spots on the high points; design detail remains sharp and complete.
XF-40

Extremely fine

XF-40

Light overall wear; all major design elements clearly defined.
VF-35

Very fine

VF-35

Moderate wear with fine detail, such as hair strands or feather veins, partly visible.
VF-30

Very fine

VF-30

Even wear; some finer detail lost but the design is bold throughout.
VF-25

Very fine

VF-25

Wear across the high points with major elements sharp and clear.
VF-20

Very fine

VF-20

Moderate to heavy wear; lettering and rims complete and legible.
F-15

Fine

F-15

Heavy even wear with design outlines distinct but interior detail largely gone.
F-12

Fine

F-12

Heavy wear; devices remain separated and lettering legible.
VG-8

Very good

VG-8

Well worn; designs are flat with only outlines visible, all lettering readable.
G-6

Good

G-6

Heavily worn with rims nearly flat; major lettering legible with effort.
G-4

Good

G-4

Heavy wear; rims merging into the field and lettering partly worn away.
AG-3

About good

AG-3

Very heavy wear; the type is identifiable but little detail remains.
FR-2

Fair

FR-2

Barely identifiable; rims may be incomplete and portions of the design flat.
P-1

Poor

P-1

Identifiable only by date, mintmark or dominant design element.

Notations and qualifiers

RD
Red — at least 95% of original copper colour remains.
RB
Red and brown — a mix of original red and light brown.
BN
Brown — copper has toned to brown throughout.
FB
Full bands — the central bands of a Mercury dime are fully split.
FS
Full steps — the steps of a Jefferson nickel are complete.
CAM
Cameo — frosted devices against reflective fields.
DCAM
Deep cameo — heavy device frost and deeply mirrored fields.
Details
Genuine but impaired — cleaned, tooled or repaired, graded for detail only.

02 — Paper currency

1–70 with EPQ

1 through 70 EPQ

Notes use the same 1–70 numeric scale as coins, with one decisive addition: Exceptional Paper Quality. EPQ is awarded only where the paper is original — never pressed, washed, trimmed or chemically brightened — and it materially changes what a note is worth. Notes that have been conserved are graded numerically but carry an apparent or net designation.

What the grade weighs

  • Paper quality

    30%

    Original sizing, crispness, body and absence of pressing, washing or bleaching.

  • Margins and centering

    25%

    Border symmetry on all four sides; trimming or narrow margins cap the grade.

  • Embossing and inks

    25%

    Intaglio print quality, seal and overprint sharpness, ink colour and depth.

  • Handling and folds

    20%

    Counting creases, corner folds, staple holes, pinholes, stains and circulation soiling.

Grade
What it means
70 EPQ

Superb gem uncirculated

70 EPQ

Perfectly centred, original paper, no handling of any kind.
67 EPQ

Superb gem uncirculated

67 EPQ

Exceptional margins and originality; one trivial flaw at most.
65 EPQ

Gem uncirculated

65 EPQ

Crisp, bright and well centred; minor handling only under close inspection.
64 EPQ

Very choice uncirculated

64 EPQ

One or two very light flaws; paper remains fully original.
63 EPQ

Choice uncirculated

63 EPQ

Minor handling marks or a light counting bend; strong originality.
62 EPQ

Uncirculated

62 EPQ

A few handling flaws; no folds and original paper throughout.
60 EPQ

Uncirculated

60 EPQ

Noticeable handling, one light bend permitted, paper still original.
58

About uncirculated

58

A single light fold or a few handling creases; EPQ may be withheld.
55

About uncirculated

55

One fold with light creasing at the corners.
50

About uncirculated

50

Two light folds or equivalent handling; no loss of body.
45

Extremely fine

45

Two or three folds with light soiling; margins remain full.
40

Extremely fine

40

Several folds and minor creases; design fully sharp.
35

Very fine

35

Many folds and light circulation soiling; crispness still discernible.
30

Very fine

30

Heavy folding and some edge wear; lettering and seals fully legible.
25

Very fine

25

Folds and creases throughout with modest staining.
20

Very fine

20

Circulated with softened paper and multiple creases.
15

Fine

15

Heavily circulated, limp paper, small edge splits permitted.
12

Fine

12

Heavy soiling and creasing; no large tears.
10

Very good

10

Well worn with rounded corners and no repairs.
8

Very good

8

Heavy wear, splits at the folds, paper still intact.
6

Good

6

Very heavy circulation; significant tears without paper loss.
4

Good

4

Extensive damage and staining; fragments of body remaining.
1–3

Fair to poor

1–3

Severe damage, missing pieces or tape repairs; identified for reference only.

Notations and qualifiers

EPQ
Exceptional Paper Quality — wholly original, untouched paper.
PPQ
Premium Paper Quality — the equivalent designation used by some services.
Apparent
The note presents better than its technical grade due to conservation.
Net graded
The grade accounts for a specific defect, stated on the certificate.
Small size
A note issued at the modern, reduced dimensions.
Star note
A replacement note, denoted by the star in the serial prefix.

03 — Trading cards

1–10, half points

1 through 10 with 0.5 increments

Cards are graded on a 1–10 scale in half-point increments across four technical categories. Nothing about a card's market value, population or player influences the number: only physical condition under 10× magnification, with centering measured against the card's own print borders.

What the grade weighs

  • Centering

    30%

    Symmetry of the printed borders on the front and back, measured as a ratio.

  • Corners

    30%

    Sharpness, layering and any whitening, rounding or softness at all four corners.

  • Edges

    20%

    Chipping, nicks and roughness along the cut, including factory-cut irregularities.

  • Surface

    20%

    Scratches, print lines, indentations, gloss loss, staining and surface wear.

Grade
What it means
10

Gem Mint

10

Centering 50/50 to 55/55 with four sharp corners, clean edges and an undamaged surface.
9.5

Gem Mint

9.5

Centering to 60/40; one microscopic flaw visible only under magnification.
9

Mint

9

Centering to 60/40 or better; one very minor flaw in corners, edges or surface.
8.5

Near mint-mint plus

8.5

Centering to 65/35; two or three minor flaws, none structural.
8

Near mint-mint

8

Centering to 65/35; slight corner softening and light surface wear.
7.5

Near mint plus

7.5

Centering to 70/30; minor edge chipping and visible corner wear.
7

Near mint

7

Centering to 70/30; slight wear on corners and edges, surface largely intact.
6.5

Excellent-mint plus

6.5

Centering to 75/25; visible corner wear and light surface scratching.
6

Excellent-mint

6

Centering to 80/20; several corners softened with minor edge nicks.
5.5

Excellent plus

5.5

Centering to 80/20; clear corner wear with no creasing.
5

Excellent

5

Centering to 85/15; noticeable corner rounding and surface scuffing.
4.5

Very good-excellent plus

4.5

Centering to 85/15; moderate wear with a light crease permitted.
4

Very good-excellent

4

Visible edge wear and surface loss; one crease or a few light ones.
3.5

Very good plus

3.5

Heavier wear across corners and edges with minor creasing.
3

Very good

3

Moderate creasing, rounded corners and visible surface wear.
2.5

Good plus

2.5

Heavy wear, multiple creases and some edge loss.
2

Good

2

Heavy creasing and corner damage; image fully intact.
1.5

Fair

1.5

Extensive wear, staining or paper loss affecting the image.
1

Poor

1

Severely damaged, trimmed or missing significant material.

Notations and qualifiers

Gem Mint
The highest descriptor, reserved for grades 9.5 and 10.
Mint
Grade 9 — a virtually flawless card with one minor flaw permitted.
RC
Rookie card — a factual designation; it does not affect the grade.
MC
Miscut — the card's image or border is shifted beyond tolerance.
OC
Off centre — centering falls outside the tolerance for the assigned grade.
PD
Print defect — a production flaw such as a print line or roller mark.
Qualified
A defect is noted and excluded from the numeric grade, at the owner's request.

04 — Collectibles

Authenticity + class

Class I through Class IV

Autographs, documents, photographs and ephemera cannot be ranked on a single numeric scale, so we grade two things separately: authenticity, and then originality. The originality class records how much of the object is as it left its maker — this is the distinction that matters when one signature or document is compared with another.

What the grade weighs

  • Originality

    40%

    Proportion of original material, ink and mounting that survives unaltered.

  • Completeness

    25%

    Whether pages, signatures, borders and components are all present.

  • Condition

    20%

    Tears, foxing, fading, folds and handling relative to the object's age.

  • Surface and patina

    15%

    Consistent ageing, ink tone and finish; absence of chemical brightening.

Grade
What it means
Class I

Original

Class I

Original material, ink and mounting throughout; no restoration or repair.
Class II

Restored

Class II

Reversible conservation only, fully documented; all original material present.
Class III

Reconstructed

Class III

Some original material replaced or supplied; losses stated on the certificate.
Class IV

Assembled

Class IV

Authentic but composite — components of different origin combined.
Authentic only

Unclassified

Authentic only

Authenticity established; condition too fragile to classify originality.
Not authentic

Declined

Not authentic

Issued as a written finding only. No certificate number is assigned.

Notations and qualifiers

Authentic
Every component is consistent with the period and maker.
Altered
Original material present but modified — erasure, trimming or inpainting.
Not authentic
Inconsistent with the claimed maker or period.
Assembled
Authentic components combined from more than one object.
Restored
Reversible conservation to stabilise or reinstate losses.
Facsimile
A reproduction, clearly and permanently marked as such.

A grade is an opinion

Every certificate states the scale, the defects and the notations behind the number.

If a grade on one of our certificates is unclear, quote the certificate number to the intake desk and an examiner will walk you through the decision, criterion by criterion.

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